Mixing storytelling and ethnography, empiricism and lyricism, Watts tells an Orkney energy saga—an account of how the islands are creating their own low-carbon future in the face of the seemingly impossible. The Orkney Islands, Watts shows, are playing a long game, making energy futures for another six thousand years. Tells the intriguing tale of how Orcadians have begun to create their own low-carbon future against incredible odds and with only a little help from the mainland.
Hunger doesn’t have to exist — let’s end it together.
The greatest contribution of Watts's book, and it is a striking one, is that the Orcadian idiom for talking about energy infrastructures is guided largely by thinking about relationships — and relationships necessarily involve pasts, presents and futures. Innovation and perseverance are two of the most important qualities that Dr. Laura Watts identifies as the driving forces behind the renewable energy revolution taking place in the Orkney Islands. The Scottish archipelago is on the leading edge of the world's energy future and as Dr.
The playful and skillful interweaving of empirical detail, mythological imagery, theoretical positioning, graphic novel elements, poetry, photo essays, and daring writing style throughout converge in a work that matches analytical depth with accessibility and attractiveness. The book isn't like a cool breeze through the publishing practices in the field, but more like an electrifying storm.
What new ways of being might renewables bring? Moving fluently among neolithic, neoliberal, and rhizomic imaginations, Laura Watts joins Orkney landscapes to everyday voices in this lyrical and insightful saga of worlds in flux. Elegy and analysis, ethnography and manifesto: the result is a rare glimpse of what can be achieved with committed transdisciplinary inspiration and rigor.
This engaging book is a vital aid to thinking outside the box about the coming energy revolution. Energy at the End of the World is a fabulous scientific saga by a firmly grounded archaeologist of possible futures. It's a must-read poetic musing for researchers and designers engaged in the mundane practices of everyday future making in any nook of the world.
Scenes From The End Of The World | The Royal Central School of Speech and Drama
This is an enthralling introduction to the unique socioenvironment of Orkney and the making of energy on these islands. Drawing upon the traditional sagas, Watts uses a variety of storytelling techniques as a framework for her analysis.
Her expertise at spinning a tale not only serves to entice the reader into her research, it also shows an essential continuity in the islanders' approach to energy generation from ancient times to the present day. Malcolm McCullough.
Emmanuel Didier. Robert S. Emmett and David E.
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